Moby, Amazon Marketplace in Music

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"Spiders Pt.1 (2 Tracks) [Single]" (05/23/2005) Rock & Pop Moby, Mute RecordsSPIDERS (PT. 1) is the single from Moby's latest album.

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"18" (02/01/2006) R&B Moby, V2 Records (USA)Personnel includes: Moby (vocals, various instruments); Jennifer Price, Azure Ray, Dianne McCauley, Angie Stone, MC Lyte, Freedom Bremner, Sinead O'Connor, Shauna & Lorraine Phillips, The Shining Light Gospel Choir (vocals). Includes liner notes by Moby. "18" was nominated for the 2003 Grammy Awards for Best Pop Instrumental Performance. Personnel: Moby (vocals); Shining Light Gospel Choir, Freedom Bremmer, Shauna, Lorraine Phillips, Dianne McCaulley, Jennifer Price, MC Lyte, Angie Stone, Sin?ad O'Connor, Azure Ray (vocals). Audio Mixer: Moby. Liner Note Author: Moby. Photographer: Danny Clinch. Continuing to deliver the kind of soulful electronica with an ethereal sheen that made PLAY such a breakthrough album for him, Moby keeps the good vibrations going on the equally engaging follow-up 18. Having previously drawn from such disparate sources as subtle dance beats and samples of African-American spirituals, it's not surprising that this devout Christian once again looked to the church for recruits. This time around the talents of The Shining Light Gospel Choir (the revival-like "I'm Not Worried At All" and the sweeping "In My Heart") and the recently ordained Sinead O'Connor (the lush "Harbour") get tapped. Moby avoids making 18 a strictly austere affair by throwing some beats onto the barbie in the shape of the thumping Angie Stone/M.C. Lyte collaboration "Jam For The Ladies" and the subtle cut-and-paste funk of "Sunday (The Day Before My Birthday)." Moby does a fine job manning the mike himself for the striking '80s-style electro-pop meditation "We Are All Made Of Stars" and the equally gorgeous soundscape "Signs Of Love." Ever the sonic chef, Moby has once again succeeded in whipping together a collection of songs that are the musical equivalent of comfort food.

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"18: The B-Sides" (02/01/2006) R&B Moby, V2 Records (USA)Contains a bonus DVD which features videos from "18:..", a live concert from Glastonbury in 2003, outtakes & bonus songs, and a megamix. Personnel includes: Moby (vocals, various instruments); Azure Ray, Jennifer Price, The Shining Light Gospel Choir, Angie Stone, MC Lyte (vocals). Displaying a knack for keeping his name in the public eye and his music in their ears, Moby once again follows the path blazed by his PLAY with b-sides reissue. This time around, 18 B SIDES ups the ante by also including a bonus DVD chock-a-block full of extras, including a complete live set from a 2003 Glastonbury show. As for the CD side of the coin, the Connecticut native continues to traffic in the kind of compelling dance music that kicks off enough of an ethereal edge to blend in and soothe rather than disrupt a cool mood. "Nearer" brings together swirling synths and a gospel vocal that'll make you feel like you're waiting to meet a higher power, the gorgeous "Stay" comes off like a Velvet Underground-era Lou Reed outtake, and the lush "String Electro" features an unobtrusive beat gilded by an anonymous female vocal. With the music serving as an appetizer for this collection, the bonus DVD serves as a meaty main course that not only includes the aforementioned concert, but outtakes and demos from his last two albums, videos, and much more.

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"Drop a Beat [Maxi Single]" (07/25/2000) R&B Moby, Instinct

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"Spiders [Single] [Limited]" (05/23/2005) Rock & Pop Moby, Mute RecordsThis catchy, critically acclaimed single from Moby's hugely successful album HOTEL is accompanied here by "Put The Headphones On" and a remix of "Raining Again" from Ewan Pearson. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"I Like to Score" (10/21/1997) Rock & Pop Moby, ElektraI LIKE TO SCORE contains songs from and inspired by motion pictures. Personnel: Moby (vocals, various instruments); MC Shah-King (vocals); Rob Hardt, Alexander McCabe (saxophone); Osho Endo (trumpet); Greg Robinson (trombone). Contains liner notes by Moby. Personnel: MC Shan-King (vocals); Rob Hardt, Alex McCabe (saxophone); Osho Endo (trumpet); Greg Robinson (trombone). Audio Mixers: Daniel Miller; Alan Moulder. Liner Note Author: Moby. Photographers: Adam Friedberg; Scott Frassetto. Being one of the most talented of the early batch of electronic composers, and not just a DJ and beatminer, it makes all the sense in the world that Moby would lend a hand creating incidental music for someone else's images. It makes for great practice and lets him collaborate with someone else without giving up any autonomy. I LIKE TO SCORE combines many of Moby's scoring efforts to date, and helps exemplify the diversity of ideas his work possesses. Aside from the three obvious crowd-pleasers--a souped-up "Moby Re-version" of the James Bond theme that throws down the block-rockin' beats like you'd expect it to, an edit of "Go," built on a sample of Angelo Badalamenti's score for Twin Peaks, and a metallic cover of Joy Division's "New Dawn Fades" -- the pieces veer toward the soundscape-ish.

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"Beautiful [Single]" (09/05/2005) Rock & Pop Moby, Mute RecordsThis is the first single from Moby's 2005 album HOTEL. U.K. edition adds four remixes and an enhanced CD-ROM video. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"18" (05/07/2002) R&B Moby, V2 Records (USA)Personnel includes: Moby (vocals, various instruments); Jennifer Price, Azure Ray, Dianne McCauley, Angie Stone, MC Lyte, Freedom Bremner, Sinead O'Connor, Shauna & Lorraine Phillips, The Shining Light Gospel Choir (vocals). Includes liner notes by Moby. "18" was nominated for the 2003 Grammy Awards for Best Pop Instrumental Performance. Japanese edition includes a bonus 3-track CD. Continuing to deliver the kind of soulful electronica with an ethereal sheen that made PLAY such a breakthrough album for him, Moby keeps the good vibrations going on the equally engaging follow-up 18. Having previously drawn from such disparate sources as subtle dance beats and samples of African-American spirituals, it's not surprising that this devout Christian once again looked to the church for recruits. This time around the talents of The Shining Light Gospel Choir (the revival-like "I'm Not Worried At All" and the sweeping "In My Heart") and the recently ordained Sinead O'Connor (the lush "Harbour") get tapped. Moby avoids making 18 a strictly austere affair by throwing some beats onto the barbie in the shape of the thumping Angie Stone/M.C. Lyte collaboration "Jam For The Ladies" and the subtle cut-and-paste funk of "Sunday (The Day Before My Birthday)." Moby does a fine job manning the mike himself for the striking '80s-style electro-pop meditation "We Are All Made Of Stars" and the equally gorgeous soundscape "Signs Of Love." Ever the sonic chef, Moby has once again succeeded in whipping together a collection of songs that are the musical equivalent of comfort food.

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"Come on Baby [Single]" (n/a) Rock & Pop Moby, Mute Records

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"Spiders" (05/24/2005) Rock & Pop Moby, Mute Records

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"Hotel" (02/01/2006) Electronic Moby, V2 Records (USA)Initial pressings included a bonus disc. Personnel: Moby (vocals, various instruments); Laura Dawn (vocals); Scott Frassetto (drums); Shayna Steele, Jason Candler, Kurt Uenala, Orion Simprini, Brian Sperber (background vocals). Following the runaway success of PLAY and 18, Moby takes a detour into pop/rock that leaves his signature sample-heavy electronica by the side of the road. Keyboards and drum machines are still prominent here, but they are used as background for Moby's songs, which often aim for a majestic, redemptive atmosphere. With the exception of live drums, Moby plays every instrument on the album, and sings lead on numerous tracks. Although, he's not a natural singer, Moby manages to make his half-spoken phrasing fit surprisingly well with the music, leaving the more emotive vocal tracks to Laura Dawn, as on her drowsy rendition of New Order's "Temptation." The anthemic "Lift Me Up" and "Spiders" are prime examples of Moby's pop-savvy direction, revealing what seems like a yearning to get in touch with his inner U2 and Coldplay. On HOTEL's second disc, however, Moby returns to the ambient work that garnered him attention in the early 1990s. These wonderfully quiet and dreamy instrumental tracks make for an excellent counterbalance to the songs on the first disc, proving that Moby remains an intriguing, multifaceted artist.

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"That's When I Reach for My Revolver [Single]" (n/a) Rock & Pop Moby, Sub Pop Records (USA)

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"Next Is the E [Maxi Single]" (07/25/2000) R&B Moby, InstinctAdditional personnel: Nicole Zaray (vocals).

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"Ambient" (07/12/1993) Electronic Moby, InstinctSolo performer: Moby (various instruments). Photographer: Jill Greenberg. Sure, we all know that Moby can drop a beat like he was the house DJ at the funkiest warehouse party this side of the South Bronx. But that's not all the Evil Little Ninja (which along with Voodoo Child is one of Richard Melville Hall's many aliases) can do. For within Moby there exists a classic dichotomy; on one hand, there's Moby the rock-the-house DJ, and on the other hand there's a quiet and meditative musician. AMBIENT is a collection of some of the most beautiful atmospheric music one can hear this side of early Brian Eno (who, along with Kraftwerk, is a clearly a formative influence). Moby, a frequent contributor to various soundtracks (see also I LIKE TO SCORE, a collection of his soundtrack contributions) seems to be writing soundtracks this time for the movies in his head. And what soundtracks they are! "My Beautiful Blue Sky" is the perfect soundtrack to the long lost sequel to 2001, while "Heaven" could be the background to a cheerier BLADE RUNNER. AMBIENT is a meditative flip side to Moby's usual party and perfect for mellowing out to after dancing.

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"Everything Is Wrong" (03/14/1995) Electronic Moby, ElektraPersonnel: Moby (classical & electric guitars, keyboards, synthesizers, electric bass, drums, congas, programming); Mylm Rose, Kochie Banton, Nicole Zaray, Rozz Morehead, Saundra Williams, Mimi Goese (vocals). Includes liner notes by Moby. Personnel: Moby (programming); Nicole Zaray, Mimi Goese, Rozz Morehead, Kochie Banton, Saundra Williams (vocals). Recording information: Current Sounds, New York, NY; Moby's Studio, Newyork City, NY. Photographer: Jill Greenberg. Unknown Contributor Role: Moby. At some point, every musical movement produces a work so evocative, inclusive, and challenging that it stands out as a reference for what is best in an entire musical genre. EVERYTHING IS WRONG is the WHITE ALBUM of dance music. On this album, Moby's interests in techno, ambient, punk rock, and gospel mix together in a sonic stew of epic proportions that not only holds together, but seems perfectly natural. As such, the beautifully moody "Hymn" is followed by the diva-driven "Feeling So Real," which is followed by the techno-punk of "All That I Need is To Be Loved." These tracks flow seamlessly together without a sense that genres are even being mixed, much less jumbled. But EVERYTHING's brilliance lies not so much in Moby's eclectic taste in rhythm and melody, but in the nuances of the vocals, most of which are contributed by a variety of female singers. In particular, Moby's collaborations with singer Mimi Goese on "Into the Blue" and "When it's Cold Out I'd Like to Die" are among the most revealing and humanistic moments in Moby's career. A masterpiece.

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"Play" (02/01/2006) Electronic Moby, V2 Records (USA)Personnel: Moby (vocals, various instruments, samples); Pilar Basso, Reggie Matthews, The Shining Light Gospel Choir (vocals). Includes liner notes by Moby. PLAY was nominated for the 2000 Grammy Award for Best Alternative Music Performance. "Bodyrock" was nominated for the 2000 Grammy Award for Best Rock Instrumental Performance. "Natural Blues" was nominated for the 2001 Grammy Award for Best Dance Recording. The Limited Edition packaging of PLAY: THE B-SIDES includes new essays, photos and drawings from Moby. Personnel: Moby (vocals, keyboards). A marked departure from the sound of his groundbreaking EVERYTHING IS WRONG and his subsequent hard-edged output, PLAY finds Moby charting new territory. Abandoning the breakneck drive of techno punk for looser, groovier structures entrenched in dance-oriented hip-hop brings a whole new feeling to Moby's vast and varied sonic canvas. Several songs, including the hit single "Honey," are distinguished by the appearance of early American field recordings, looped bits of African American spirituals and folk songs culled from the Alan Lomax catalogue. Moby's penchant for complex composition is in evidence here, as layer after layer of keyboard ornamentation, percussive effects, guitar, vocals (Moby sings and also plays all the instruments), and pulsing, echoing beats create a rich, deeply textured tapestry. PLAY shows that Moby's sophisticated sense of sound collage hasn't dulled, and the combination of these wide-ranging sonic experiments with unique historical samples and rootsier, more accessible beats indicates his ever-changing vision as an artist. Moby broke new ground in electronica with the 1999 release of PLAY, which found him delving into old field recordings of gospel singers, blues shouters, and work songs, while adding his own electronic wizardry. This mix of past and future spoke solidly to the present, and cast Moby as an individualist in a field too often filled with lemming-like trend-followers. This limited-edition version of PLAY is a two-CD affair that contains not only the original album tracks, but also a wealth of B-sides from PLAY's single releases. On the latter, Moby experiments even further with his unique mixture of organic and electronic sounds. To sweeten the pot still further, photographs and new essays by Moby are included in the elaborate package.

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