5.1 Marketing in Music

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"Elton John [Remaster]" (11/09/2004) Oldies John, Elton, Universal DistributionThis is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Elton John (vocals, piano, harpsichord); Clive Hicks (guitar, acoustic guitar, 12-string guitar); Colin Green (guitar, Spanish guitar); Alan Parker , Roland Harker, Caleb Quaye (guitar); Frank Clark (acoustic guitar, acoustic bass guitar); Skaila Kanga (harp); Paul Buckmaster (cello); Brian Dee (organ); Diana Lewis (Moog synthesizer); Dave Richmond, Alan Weighall, Les Hurdle (bass guitar); Terry Cox, Barry Morgan (drums); Dennis Lopez, Tex Navarra (percussion); Lesley Duncan, Madeline Bell, Roger Cook, Tony Burrows, Tony Hazzard, Barbara Moore, Kay Garner (background vocals). Liner Note Authors: John Tobler; Gus Dudgeon. Elton John's second album was his first to be released in the U.S., and the difference between it and its predecessor, EMPTY SKY, is palpable and immediate. ELTON JOHN opens with "Your Song," a halting ballad that is one of the most moving love songs in the modern pop canon. The album also marks John's fruitful association with Gus Dudgeon and arranger Paul Buckmaster (who'd previously collaborated on David Bowie's "Space Oddity"). The team came up with a spare orchestral sound that surrounds the singer and his piano with dashes of both classical and rock guitar, synthesizers, carefully arranged drums, and searing strings. This wasn't all-out pop yet, but rather a striking and singular brand of folk-rock. "Take Me To The Pilot" shows flashes of John's rocking future ("Bennie And The Jets" descended from it), "No Shoe Strings On Louise" is Rolling Stonesy country-rock, and "Sixty Years On" is haunting and memorable. More typical for this session is "I Need You To Turn To," another love song that finds lyricist Bernie Taupin in an unusually direct mode, and features a beautiful harpsichord melody from John. ELTON JOHN cast the mold for the singer's future superstardom.

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"The Downward Spiral (Deluxe Edition) [PA] [Remaster] [Slipcase]" (11/23/2004) Rock & Pop Nine Inch Nails, Interscope Records (USA)Nine Inch Nails: Trent Reznor (vocals, various instruments). Additional personnel: Danny Lohner, Adrian Belew (guitar); Flood (synthesizer, programming); Andy Kubiszewski, Chris Vrenna, Stephen Perkins (drums). Engineers: Sean Beavan, Chris Vrenna, Alan Moulder. Recorded at Le Pig, Beverly Hills, California; The Record Plant A&M Studios, Los Angeles, California. THE DOWNWARD SPIRAL was nominated for a 1995 Grammy Award for Best Alternative Music Performance. "Hurt" was nominated for a 1996 Grammy Award for Best Rock Song. This deluxe edition of THE DOWNWARD SPIRAL includes a 13-track bonus disc featuring B-sides, demos, and rarities. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Trent Reznor (vocals, guitar, electronics); Andy Kubiszewski (drums). Nine Inch Nails mastermind Trent Reznor became an instant alternative-music hero with 1989's PRETTY HATE MACHINE, an angry-yet-accessible album that appealed to rock fans and club kids alike. Record-label woes led to a five-year delay for Reznor's follow-up, with two hard-edged EPs (BROKEN and its remix disc, FIXED) issued in the interim. Finally released in 1994, THE DOWNWARD SPIRAL seethes with an almost unhinged industrial ferocity, due, in part to both Reznor's frustration with messy bureaucratic entanglements and time spent with Ministry's Al Jourgensen during the peak of that band's guitar-heavy phase. Although, SPIRAL does reveal the influence of latter-day Ministry (particularly on the blazing opener, "Mr. Self Destruct," and the scathing, distortion-filled "March of the Pigs"), Reznor also incorporates elements of progressive rock and funk into the proceedings. More than any other Nine Inch Nails song, the provocative, groove-laden "Closer" (and its shocking video) established Reznor as a bold, audacious artist. In contrast, quiet and emotive songs such as Eno-esque instrumental "A Warm Place" and the spare, haunting "Hurt" (famously covered by Johnny Cash shortly before the country legend's death) revealed Reznor's sensitive side. Here the intense performer works with his largest sonic palette yet, and the results are fascinating.

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"Greatest Hits" (08/31/2004) Country Womack, Lee Ann, MCA NashvillePersonnel: Lee Ann Womack, Willie Nelson (vocals); B. James Lowry, Randy Scruggs (acoustic guitar); Brent Mason, Pat Buchanan (electric guitar); Aubrey Haynie, Paul Franklin (steel guitar); Steve Nathan (keyboards); Glen Worf (bass); Lonnie Wilson, Chad Cromwell (drums). Producers include: Mark Wright, Lee Ann Womack, Matt Serletic, Frank Liddell, Byron Gallimore. Recorded at Ocean Way, Essential Sound Studios, Nashville, Tennessee. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Lee Ann Womack; Randy Scruggs, B. James Lowry (acoustic guitar); Pat Buchanan, Brent Mason (electric guitar); Paul Franklin, Rusty Danmyer (steel guitar); Larry Franklin, Aubrey Haynie (fiddle); Steve Nathan, Jimmy Nichols (keyboards); Glenn Worf (bass guitar); Lonnie Wilson, Chad Cromwell (drums); Buddy Miller (background vocals). To earn a greatest-hits compilation after only four albums (not counting a Christmas record that's unrepresented here), you have to make one hell of a splash on the music scene. That's exactly what Lee Ann Womack did between 1997 and this disc's '04 release. Hearing this sampler of Womack's albums, the sweet, angelic voice and solid songcraft jump out in equal measure. Perhaps of more historic importance, though, is the context. If Womack had appeared 10 or 15 years earlier, she would have seemed like a foreshadowing of country's pop-friendly future. After years of being inundated by Faith Hill and Shania Twain's disciples, however, Womack's amiable, relatively modest approach seems downright rootsy, with more ache and twang per bar than any Nashville assembly-line kewpie doll has in her entire catalog. From the lovelorn "The Fool" to the lighthearted romp "I'll Think of a Reason Later," GREATEST HITS shows Womack in her best light.

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"More Hot Rocks (Big Hits and Fazed Cookies) [Bonus Tracks] [Digipak] [Remaster]" (08/27/2002) Oldies Rolling Stones (The), ABKCO RecordsThe Rolling Stones: Keith Richards (vocals, guitar); Mick Jagger (vocals); Brian Jones (various instruments, guitar); Mick Taylor (guitar); Bill Wyman (bass); Charlie Watts (drums). Additional personnel includes: John Lennon, Paul McCartney (background vocals). Producers: Andrew Loog Oldham, The Rolling Stones, Jimmy Miller. Audio Remasterers: Jon Astley; Bob Ludwig; Steve Rosenthal; Teri Landi; Paschal Byrne. Photographers: Gered Mankowitz; Ethan Russell. Arranger: The Rolling Stones. When you're anthologizing the Rolling Stones, one of the first things you must accept is that you're doomed to failure. No one album can possibly tell the story of the band that's explored so many different musical avenues and recorded so many memorable songs. Still, the double-disc best of HOT ROCKS, and this, its sequel, come perilously close. This set wisely doesn't attempt to be comprehensive. Instead, it just picks out various gems from different points in the band's development. Their R&B/roots period is well-represented by covers of "It's All Over Now" and "Not Fade Away." "She's A Rainbow" and "2000 Light Years From Home" are monuments to the band's psychedelic phase. "No Expectations" and "Let It Bleed" are bluesy tunes that cut to the quick, emphasizing the Stones' gift for visceral compositions and the sound that defined what was--arguably--their greatest period (the late '60s). Though HOT ROCKS is the place to turn for a comprehensive cross section of the band's biggest and most essential hits, MORE HOT ROCKS is an excellent companion piece, bringing together some of the Stones' lesser known but equally satisfying work. Hot Rocks covers most of the monster hits from the Stones' first decade that remained in radio rotation for decades to come. More Hot Rocks goes for the somewhat smaller hits, some of the better album tracks, and a whole LP side's worth of rarities that hadn't yet been available in the United States when this compilation was released in 1972. The material isn't as famous as what's on Hot Rocks, but the music is almost as excellent, including such vital cuts as "Not Fade Away," "It's All Over Now," "The Last Time," "Lady Jane," the psychedelic "Dandelion," "She's a Rainbow," "Have You Seen Your Mother Baby, Standing in the Shadow?," "Out of Time," "Tell Me," and "We Love You." The eight rarities are pretty good as well, including their 1963 debut single "Come On," early R&B covers of "Fortune Teller" and "Bye Bye Johnnie," great slide guitar on Muddy Waters' "I Can't Be Satisfied," and the soulful 1966 U.K. B-side "Long Long While." [The Rolling Stones' London/ABKCO catalog was reissued in August of 2002, packaged in digipacks with restored album artwork, remastered, and released as hybrid discs that contain both CD and Super Audio CD layers. The remastering -- performed with Direct Stream Digital (DSD) encoding -- is a drastic improvement, leaping out of the speaker yet still sounding like the original albums. This is noticeable on the standard CD layer but is considerably more pronounced on the SACD layer, which is shockingly realistic in its detail and presence yet is still faithful to the original mixes; Keith Richards' revved-up acoustic guitar on "Street Fighting Man" still sends the machine into overdrive, for instance. It just sounds like he's in the room with you. Even if you've never considered yourself an audiophile, have never heard the differences between standard and gold-plated CDs, you will hear the difference with SACD, even on a cheap stereo system without a high-end amplifier or speakers. And you won't just hear the difference, you'll be an instant convert and wish, hope, and pray that other artists whose catalog hasn't been reissued since the early days of CD -- Bob Dylan, Bruce Springsteen, Neil Young, especially the Beatles -- are given the same treatment in the very near future. SACD and DSD are that good. The reissue of More Hot Rocks (Big Hits and Fazed Cookies) also adds (in refreshing contrast to most of the 2002 re-releases, which usually added no or little bonus material) three additi

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"Viva la Bands [CD+DVD]" (06/21/2005) Rock & Pop Various Artists, 456 EnterprisesDaredevil skateboarder, prankster, music video director, and all-around hilarious cad Bam Margera is best known for his wildly popular MTV program VIVA LA BAM, an offshoot of the pioneering crazy-guys-doing-crazy-things show JACKASS. VIVA LA BANDS collects Margera's favorite music and is perfect for skating, don't-try-this-at home stunts, or just general rocking out. In other words, most of this is high-energy music of the hard rock, metal, and punk varieties. Because this is a compilation of one guy's favorites rather than a collection of corporate bands vying for soundtrack positions, the artists range from big-time (Clutch, CKY) to lesser-known (Bendover, Viking Skull). Highlights include "Lost Boys" from Finland's 69 Eyes, which sounds like a goth-infused combination of Motley Crue and The Cult, and Turbronegro's "All My Friends Are Dead," pure trashy '77-style punk with shout-along vocals, surfy guitar riffs, and a distinctly European flair.

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"Gold: Greatest Hits [Digipak]" (10/05/2004) Rock & Pop Carpenters (The), A&M Records (USA)The Carpenters: Karen Carpenter (vocals); Richard Carpenter (keyboards, background vocals). Additional personnel includes: Ray Parker Jr. (guitar); Tom Scott (tenor saxophone); Hal Blaine (drums). Producers: Jack Daugherty, Richard Carpenter, Karen Carpenter. Compilation producer: Richard Carpenter. Recorded between 1970 & 1997. Includes liner notes by Richard Carpenter. This release includes a 15-track bonus DVD. The Carpenters: Karen Carpenter (vocals); Richard Carpenter (keyboards, background vocals). Additional personnel: Tim May, Tony Peluso (guitar); Buddy Emmons (pedal steel guitar); Sheridon Stokes (flute, recorder); Bob Messenger (flute, saxophone); Tommy Morgan (harmonica); Doug Strawn (clarinet); Earl Dumler (oboe); Jack Nimitz (baritone saxophone); Chuck Findley (trumpet); Tom Hensley (tack piano); Joe Osborn (bass instrument); Hal Blaine, Harvey Mason, Sr. , Ron Tutt (drums); Peter Limonick (percussion). Liner Note Author: Richard Carpenter . Look no further for the definitive Carpenters collection; this two-disc, 40-song beauty tops them all. Not only do you get all of the band's hits (and they had many), but lots of equally great, lesser-known tracks sweeten the pot. Karen Carpenter's pure, gentle voice, and brother Richard's smooth-but-sophisticated arrangements and keyboards provided the signature sound of the soft-pop 1970s. You could put this collection into a time capsule for a hundred years and accurately inform subsequent generations of what AM radio sounded like in the '70s. This anthology is also a tribute the great talents of the Paul Williams/Roger Nichols songwriting team, from whose pens flowed "Rainy Days and Mondays," "We've Only Just Begun," "I Won't Last a Day Without You," and other mellow, tuneful gems--some of the classiest pure pop music of the era. Over the course of GOLD, the Carpenter's entire career is covered, and sparkling, ornately arranged melodic delights are in no short supply.

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"Metamorphosis [Digipak] [Remaster]" (08/27/2002) Rock & Pop Rolling Stones (The), ABKCO RecordsThis is a Hybrid Super Audio CD playable on both Super Audio and regular CD players. METAMORPHOSIS is a collection of outtakes from 1975 and has never been available on CD. The Rolling Stones: Keith Richards (vocals, guitar); Mick Jagger (vocals); Brian Jones, Mick Taylor (guitar); Bill Wyman (bass); Charlie Watts (drums). All tracks have been digitally remastered. Personnel: Brian Jones (vocals, guitar, keyboards); Mick Jagger (vocals); Keith Richards, Mick Taylor (guitar). Audio Remasterers: Jon Astley; Bob Ludwig; Steve Rosenthal; Teri Landi; Paschal Byrne. Liner Note Author: Andrew Loog Oldham. Culled from the Rolling Stones' massive archive, 1975's METAMORPHOSIS is the band's sole rarities compilation featuring material from the Stones' fertile '60s and '70s era. Cherry picked by former manager Allen Klein as a result of a bitter lawsuit that found a similar anthology contrived by Bill Wyman going unreleased, this treasure trove of cuts is a boon to both die-hard and casual Stones fans. It kicks off with a lush, orchestrated version of "Out Of Time," one of a handful of outtakes (along with "Heart Of Stone") featuring a studio full of session musicians including John McLaughlin, Jimmy Page, and John Paul Jones. Overseen by Mick Jagger and then manager Andrew Oldham, these tracks provide interesting insight to a time when the Stones' success allowed them to dish off songs to other UK artists, using versions like these as demos. Other highlights include a killer cover of Stevie Wonder's "I Don't Know Why" (originally recorded for LET IT BLEED) and "Memo From Turner," a Jagger/Richards number cut with Al Kooper and penned for the soundtrack to the Jagger vehicle Performance. Making its CD debut in 2002, METAMORPHOSIS remains a jewel that still glimmers almost three decades after its release.

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"North" (11/11/2003) Rock & Pop Costello, Elvis, DG Deutsche Grammophon (USA)Personnel: Elvis Costello (vocals, piano); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann, Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bobby Routch, Bob Carlisle (French horn); Conrad Herwig, Dave Tahlor (trombone); Steve Nieve (piano, celeste); Bill Ware (vibraphone); Michael Formanek, Brad Jones (bass); Peter Erskine (drums); Brodsky Quartet. Recorded at Nola Studios, Avatar Studios, New York, New York and Air Studios, London, England. NORTH was nominated for the 2004 Grammy Award for Best Engineered Album, Non-Classical. This is a Super Audio CD playable only on Super Audio CD players. This is a Super Audio CD playable only on Super Audio CD players. Few artists in pop history have displayed as many different musical sides as Elvis Costello. Over the years, he's ventured in new wave, country, jazz, R&B, and more, and collaborated with everyone from Burt Bacharach to opera star Anne Sofie Von Otter. So those who've followed his twists and turns shouldn't be taken aback by EC following his excellent, groove-based rock album WHEN I WAS CRUEL with a disc full of gently orchestrated piano ballads. This is Costello's debut release on the classical Deutsche Grammaphon label, and though he's ventured into the classical world on such projects as his JULIET LETTERS album with the Brodsky Quartet, this is a different beast. With a muted backing that splits the difference between jazzy combo and modern orchestra, NORTH finds Costello aiming for a modern variation on the classic standard format. Using traditional structures, he spices things up by adding seemingly Schubert-inspired art song-like harmonies and melodic intervals. The lyrics follow a man on the path from romantic disillusionment to the sparks of a new love, mirroring the songwriter's personal journey at the time of the recording. The only question at the end is--where to next?

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"Candyman" (07/23/2002) Rock & Pop Lukather, Steve, DTS EntertainmentThis is a DTS CD, which features DTS 5.1 Surround Sound technology and is playable on a DTS-capable 5.1 sound system. This is a DTS CD, which features DTS 5.1 Surround Sound technology and is playable on a DTS-capable 5.1 sound system.

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"Titanic" (n/a) Rock & Pop Titanic, Repertoire Records (Germany)

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