Moby, Amazon.com in Music

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"Everything Is Wrong" (03/14/1995) Electronic Moby, Elektra EntertainmentPersonnel: Moby (classical & electric guitars, keyboards, synthesizers, electric bass, drums, congas, programming); Mylm Rose, Kochie Banton, Nicole Zaray, Rozz Morehead, Saundra Williams, Mimi Goese (vocals). Includes liner notes by Moby. At some point, every musical movement produces a work so evocative, inclusive, and challenging that it stands out as a reference for what is best in an entire musical genre. EVERYTHING IS WRONG is the WHITE ALBUM of dance music. On this album, Moby's interests in techno, ambient, punk rock, and gospel mix together in a sonic stew of epic proportions that not only holds together, but seems perfectly natural. As such, the beautifully moody "Hymn" is followed by the diva-driven "Feeling So Real," which is followed by the techno-punk of "All That I Need is To Be Loved." These tracks flow seamlessly together without a sense that genres are even being mixed, much less jumbled. But EVERYTHING's brilliance lies not so much in Moby's eclectic taste in rhythm and melody, but in the nuances of the vocals, most of which are contributed by a variety of female singers. In particular, Moby's collaborations with singer Mimi Goese on "Into the Blue" and "When it's Cold Out I'd Like to Die" are among the most revealing and humanistic moments in Moby's career. A masterpiece.

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"Moby" (07/18/1995) Electronic Moby, Elektra EntertainmentThis is an enhanced audio CD which contains regular audio tracks and multimedia computer files. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"Drop a Beat [Maxi Single]" (07/25/2000) Electronic Moby, Instinct

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"Animal Rights" (02/11/1997) Electronic Moby, Elektra EntertainmentThe two guitar-based, pseudo-hardcore punk songs on EVERYTHING IS WRONG whetted Moby's appetite for destruction enough to yield ANIMAL RIGHTS, an album that is chock-full of guitars. Although ANIMAL RIGHTS is book-ended by two melancholy acoustic guitar and violin duets ("Now I Let it Go" and "Love Song for My Mother"), the rest of the record contains the kind of raucous and loud music Moby made with the obscure punk band the Vatican Commandos. Fans of Moby's ambient work might not find this record as appealing as those who favor Moby's aggressive side. However, it might be hard for anyone to resist the hard soloing on songs like the Prince-meets-Minor Threat thrash-fest "Come on Baby" or the slam-fests that are "Someone to Love," "Heavy Flow," and "You." "Soft" and "Say it's All Mine" bring the pace down for a few moments to allow those slam-dancing in their bedrooms to rest for a moment. "Face it" could almost pass for a Black Sabbath cover. The excellent "That's When I Reach for My Revolver" is a Mission of Burma cover.

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"The String Quartet Tribute to Moby" (04/30/2002) Electronic Vitamin String Quartet, Vitamin Records (USA)Performers include: Janna Jacoby, Pam Jacobson (violin); Tom Tally, Pam Jacobson (viola); Steve Velez (cello); Frederick Charlton (bass). Tributee: Moby.

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"Why Does My Heart Feel So Bad?" (10/16/2000) Electronic Moby, Mute Records (UK)"Why Does My Heart Feel So Bad" was released as the fourth U.K. single from electronica pop icon Moby's album breakthrough album, PLAY. Released in 2000, this U.K. edition is the reissued, second version of the CD single, featuring "Why Does My Heart Feel So Bad" (Red Jerry's String & Breaks Mix), and two non-album tracks: "Honey" (featuring Kelis) and "The Sun Never Stops Setting."

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"18" (05/07/2002) Electronic Moby, V2 Records (Japan)Personnel includes: Moby (vocals, various instruments); Jennifer Price, Azure Ray, Dianne McCauley, Angie Stone, MC Lyte, Freedom Bremner, Sinead O'Connor, Shauna & Lorraine Phillips, The Shining Light Gospel Choir (vocals). Includes liner notes by Moby. "18" was nominated for the 2003 Grammy Awards for Best Pop Instrumental Performance. Japanese edition includes a bonus 3-track CD. Continuing to deliver the kind of soulful electronica with an ethereal sheen that made PLAY such a breakthrough album for him, Moby keeps the good vibrations going on the equally engaging follow-up 18. Having previously drawn from such disparate sources as subtle dance beats and samples of African-American spirituals, it's not surprising that this devout Christian once again looked to the church for recruits. This time around the talents of The Shining Light Gospel Choir (the revival-like "I'm Not Worried At All" and the sweeping "In My Heart") and the recently ordained Sinead O'Connor (the lush "Harbour") get tapped. Moby avoids making 18 a strictly austere affair by throwing some beats onto the barbie in the shape of the thumping Angie Stone/M.C. Lyte collaboration "Jam For The Ladies" and the subtle cut-and-paste funk of "Sunday (The Day Before My Birthday)." Moby does a fine job manning the mike himself for the striking '80s-style electro-pop meditation "We Are All Made Of Stars" and the equally gorgeous soundscape "Signs Of Love." Ever the sonic chef, Moby has once again succeeded in whipping together a collection of songs that are the musical equivalent of comfort food.

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"Hotel" (03/22/2005) Electronic Moby, EMI Records (UK)Personnel: Moby (vocals); Laura Dawn (vocals); Scott Frassetto (drums). Audio Mixer: Moby. Recording information: Moby's Studio; Electric Lady Stidios; Sound On Sound; B-Hause Studios; Loho Studios. Photographer: Danny Clinch. Following the runaway success of PLAY and 18, Moby takes a detour into pop/rock that leaves his signature sample-heavy electronica by the side of the road. Keyboards and drum machines are still prominent here, but they are used as background for Moby's songs, which often aim for a majestic, redemptive atmosphere. With the exception of live drums, Moby plays every instrument on the album, and sings lead on numerous tracks. Although, he's not a natural singer, Moby manages to make his half-spoken phrasing fit surprisingly well with the music, leaving the more emotive vocal tracks to Laura Dawn, as on her drowsy rendition of New Order's "Temptation." The anthemic "Lift Me Up" and "Spiders" are prime examples of Moby's pop-savvy direction, revealing what seems like a yearning to get in touch with his inner U2 and Coldplay. On HOTEL's second disc, however, Moby returns to the ambient work that garnered him attention in the early 1990s. These wonderfully quiet and dreamy instrumental tracks make for an excellent counterbalance to the songs on the first disc, proving that Moby remains an intriguing, multifaceted artist.

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"Hotel" (03/14/2005) Electronic Moby, Mute Records (UK)U.K. issue features a bonus track. Following the runaway success of PLAY and 18, Moby takes a detour into pop/rock that leaves his signature sample-heavy electronica by the side of the road. Keyboards and drum machines are still prominent here, but they are used as background for Moby's songs, which often aim for a majestic, redemptive atmosphere. With the exception of live drums, Moby plays every instrument on the album, and sings lead on numerous tracks. Although, he's not a natural singer, Moby manages to make his half-spoken phrasing fit surprisingly well with the music, leaving the more emotive vocal tracks to Laura Dawn, as on her drowsy rendition of New Order's "Temptation." The anthemic "Lift Me Up" and "Spiders" are prime examples of Moby's pop-savvy direction, revealing what seems like a yearning to get in touch with his inner U2 and Coldplay. On HOTEL's second disc, however, Moby returns to the ambient work that garnered him attention in the early 1990s. These wonderfully quiet and dreamy instrumental tracks make for an excellent counterbalance to the songs on the first disc, proving that Moby remains an intriguing, multifaceted artist.

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"Go Remixes [Maxi Single]" (07/25/2000) Electronic Moby, Instinct

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"Spiders Pt.1 (2 Tracks) [Single]" (05/23/2005) R&B Moby, Mute Records (UK)SPIDERS (PT. 1) is the single from Moby's latest album.

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"Make Love F*Ck War [Single]" (07/26/2004) R&B Moby, Mute Records (UK)MAKE LOVE F*CK WAR features a collaboration between pop producer, Moby and Public Enemy rappers, Chuck D and Flavor Flav.

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"Lift Me up Pt.1 [Single]" (02/28/2005) R&B Moby, Mute Records (UK)

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"Lift Me up Pt.2 [Single]" (02/28/2005) R&B Moby, Mute Records (UK)This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"Dream About Me (2 Tracks) [Single]" (08/08/2005) R&B Moby, Mute Records (UK)Moby's DREAM ABOUT ME two track CD includes the title song, a mix that ranges from soft instrumentals to the throb of electronic disco beats. The second track, "Feeling So Real," was recorded live in London.

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"In This World Pt.2" (10/28/2002) Rock & Pop Moby, Mute Records (UK)

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"That's When I Reach For My Revolver [Single]" (n/a) Rock & Pop Moby, Sub Pop Records (USA)

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"Sailing & Whaling Songs of the Days of Moby Dick" (12/06/1993) Folk Clayton, Paul, Legacy International

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SAINTON: Moby Dick by William Stromberg This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

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If you are looking for high-energy techno music and enjoy music by Moby - this CD is definitely for you. The defining sound of American Techno. Inspired by Paul van Dyk and Mozart, Gershwin and Moby, Depeche Mode and Tchaikovsky UltraMax combines...